Colour is the space of my thinking.
In my paintings, I do not represent, but attend in layers—observing how an inner state takes form, then gradually dissolves.
My painting practice explores inner states, emotional processes, and subtle moments of transformation through abstraction. Rather than engaging with external narratives, my works map shifts within an interior space, where colour and form function as a language of perception and intuition.
While I primarily work on canvas, earlier works also involved wooden panel as a support. The choice of surface is not treated as a purely technical decision, but as a matter of sensitivity: the openness or resistance of the ground directly influences the rhythm of layering and the direction of painterly attention.
Through layered, translucent fields of color and organic forms, the paintings do not aim to define fixed states, but to create open, breathable spaces. They invite the viewer into a mode of presence—allowing personal memories, sensations, and inner rhythms to enter the work and participate in the emergence of meaning.